Showing 282 items matching grey garden
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University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Unveiling the Seat in the Grey Garden, 2000
... Unveiling the Seat in the Grey Garden...grey garden... Gardens. (1)'Unveiling the seat in the grey garden,' L-R Back Row... the Seat in the Grey Garden The first garden bench donated ...Photographs donated by Michèle Adler 2017 past FOBG PresidentThe first garden bench donated by the Friends of Burnley Gardens. (1)'Unveiling the seat in the grey garden,' L-R Back Row - Carol Sorrell, Julie-Ann Webster, Dorothy James, Jane Geeson, Barb Brockly. L-R Front Row - Phil Tulk, Elspeth Ferguson, Suzanne Borck (worked in Administration), Sandi Pullman, Greg Moore (Principal). (2, 3) Greg Moore cutting the ribbon. (4) Jane Geeson and baby, Barb Brockley (5) Jane Geeson and baby. (6) Julie-Ann Webster. (7, 8) Trish Mooney (Gardener).garden bench, friends of burnley gardens, fobg, unveiling, grey garden, carol sorrell, dorothy james, jane geeson, barbara brockley, phil tulk, elspeth ferguson, suzanne borck, sandra pullman, greg moore, julie-ann webster, trish mooney -
University of Melbourne, Burnley Campus Archives
Plan, Perennial Border Spring Display, 1982-1997
... on paper, names of plants, some in pen. Area now known as the Grey... now known as the Grey Garden. Old Storage Shed cleared in 1979 ...(1) Tracing paper plan of bed. (2) Perennial Border Spring Display Planted 1982, plantings numbered but no names. (3) Pencil on paper, names of plants, some in pen. Area now known as the Grey Garden. Old Storage Shed cleared in 1979. (4) Tracing paper copy, VCAH Burnley Plan Survey: Perennial Border and Environs, dated 8.11.90. Scale 1:100. This might be where the Herbaceous Border is in 2012. (Also see 11.0615).gardens, shed, vcah -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - 'Greenmount' Portland, Portland Design Studio, 'Greenmount', n.d
... . Front view of 'Greenmount' and garden, black, grey, white.... 'Greenmount' Portland. Front view of 'Greenmount' and garden, black ...Postcard with image of screenprint. 'Greenmount' Portland. Front view of 'Greenmount' and garden, black, grey, white, yellow, blue, green, black border -
University of Melbourne, Burnley Campus Archives
Album - Black and white and colour slides, Burnley Views, 1947-1955
... hybrida) in pots c. (53) Temporary building where the Grey Garden... hybrida) in pots c. (53) Temporary building where the Grey Garden ...Contributor: T.H. KneenCardboard box of 108 35mm glass slides in metal frames made by "Gnome." Box labelled "Burnley Gardens Slides." Also 16 unused slides (1) Swan Street entrance c. (2) Orchid? b/w. (3) Nursery b/w. (4) Pasture area with man working b/w. (5) Draught horse working in the Orchard b/w. (6) Crop of corn in the Orchard c. (7) Magnolia c. (Magnolia x soulangeana). (8) Display of orange flowers c. (9) Lemon tree in the Orchard c. (10) Sign advertising 'Fruit Tree Pruning Demonstarion Sat. 2nd July (1949) c. (11) Jersey cow c. (12) Rock Point c. (13) Dahlias in the Orchard c. (14) Foundation Stone '28th August, 1946' c. (15) Felled Cypress tree 1951 b/w. (16) School truck in front of glasshouses and cacti b/w. (17)Administration Building completed but surrounded by rubble C.1949 c. (18) Plant Research Institute c. (19) Inside a glasshouse. c. (20) Administration Building c. (21) Group of female students dressed up for a function c. (22) Solenostemon (Syn. Coleus) in a glasshouse. (23, 24)Stock Matthiola incana. (25) Blossom in the Orchard c. (26) Orchard c. (27) Picking fruit in the Orchard c. (28) 2 female students holdong large bunches of poppies c. (29) Flowers growing in the Orchard c. (30) House - not Burnley c. (31) Students on an excursion c. (32) Staff member with Gladioli c. (33) Garden view - not Burnley? c. (34) Administration Building c. (35) Roses c. (36) Flowers in the Orchard c. (37) Draught horse working in the Orchard c. (38) Staff member amongst flowers in the Orchard c. (39) Garden view c. ((40) Blossom in the Orchard c. (41) Orchard c. (42) Flowers inside glasshouse c. (43) Mesembryanthemums in pots possibly in the nursery c. (44) Tree b/w. (45) Garden bed c. (46) Sign, 'Agrostology Branch, pasture Plant Research Field,' c. (47) Path to Principal's Residence c. (48) Irrigation in the Orchard b/w. (49) Cactus flowers b/w. (50) Garden view with T.H. Kneen children playing c. (51) (52) Cinerarias (now Pericallis x hybrida) in pots c. (53) Temporary building where the Grey Garden is now b/w. (54) Garden view b/w. (55) Unknown building b/w. (56) Person pruning in the Orchard c. (57) Students working in the Orchard c. (58) Swan Street with recently completed rock wall constructed by the Public Works Department b/w. (59) Lagoon paddock b/w. (60,62) Pavilion and new Administration Building before the Pavilion was removed b/w. (61) As (60) but viewed from a different direction c. (63) Plant c. (64) View through a window on the stairs in the Administration Building c. (65) Plant c. (66) Garden view of trees c. (67) Garden View b/w. (68) Blossom tree c. (69 )Garden view along path to Principal's Residence c. (70) Lagoon Paddock c. (71) Lagoon Paddock with cows b/w. (72) Inside a glasshouse b/w. (73) Entrance sign- Department of Agriculture Burnley Gardens, School of Horticulture & Primary Agriculture, Plant Research laboratory, Agrostology Branch, Fruit Preserving Branch c. (74) Plant Research Laboratory b/w. (75) Students on an excursion c. (76) Glasshouses b/w. (77) Garden view b/w. (78) Kniphophia c. (79) Hibiscus c. (80) Garden view c. (81) Dairy, Silo and dog b/w. (82) Irrigation in then Orchard b/w. (83) Garden view with magnolia c. (84) Flower plots in the Orchard c. (85) Pruning demonstration b/w. (86) Administration Building under construction c. (87) Rock Point c. (88) Mrs Kneen and Magnolia c. (89) Glasshouses c. (90) Sequoia sempervirens b/w. (91) Inside Administration Building c. (92) Luffmann Ponds b/w. (93) Sequoia sempervirend, Mrs Kneen and child c. (94) Garden bed in front of Sequoian sempervirens c. (95) Principals Residence b/w. (96) Poultry pens b/w. 1947 (97) Principals Residence b/w. (98) Student picking fruit from netted tree b/w. (99) Rock Point and Long Border c. (100) Administration Building under construction c. (101) Greenhouse b/w. (102) Rock Point c. (103) Flowers in the Orchard c. (104) Waterlilies in the Pond c. (105) Blossom tree c. (106) Hilda Kirkhope Rockery c. (107) Long Border c. (108) Plant Research Institute with flower border along drive c.burnley gardens, flower, nursery, pasture, draught horse, orchard, crops, magnolia, chicken coops, egg laying competition -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, Spanner Auto x4 'Vana Dium', 20thC
4x steel Automobile Spanners ' Vana Dium' used by a resident of the City of Moorabbin c1950 Vanadium is a hard, silver-grey metallic element. It is a ductile transition metal with a natural resistance to corrosion and stability against alkalis, acids and salt water. Vanadium is found in over 60 different minerals including vanadinite, carnotite, roscoelite and patronite.This Vana Dium Spanner set is typical of the type used by car mechanics in the City of Moorabbin c1950Set of 4 graduated automobile steel spanners made by Vana Dium Ltd USA c 1950 Front Forged VANA DIUM Steel 3/4 Pat.Pend. Back AUTO-KIT No.100 Made in USAspanners, automobiles, car mechanics, vana dium ltd usa, vanadium, uranium, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, lady's evening handbag
A lady's, grey, evening bag with a drawstring and decorated with beads and sequins.presonal effects, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, ormond, dressmaking, craftwork, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's black beaded dress, c1900
During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's stockings, Circa 1920s- 30s
These stockings were very popular with women c1920 -- 30A pair of Beau Monde, size 8 1/2, unworn ladies grey cotton lisle stockings. Back seam, with fully fashioned heel and toe. (Stockings were held up by a garter belt.)BEAU MONDE / Size 8 1/2 clothing, lingerie, hosiery, moorabbin, bentleigh, cheltenham, beau monde pty ltd, market gardeners, early settlers, maggs nancy -
Federation University Historical Collection
Book, Guide to Ballarat the Beautiful, 1923
The image of Ballarat Trustees relates to a building on the corner of Mair and Lydiard Streets. In 2010 it was used as Cuthberts law firm.Grey/green soft covered book. Includes photographs and map. Themes include: Ballarat History pre gold, mining, Eureka Stockade, Lake Wendouree, South Street, Grand National Eisteddfod of Australasia, schools, Black Hill, Lake Burrumbeet, Creswick, Buninyong. Illustrations and advertisement include: Sturt Street,James Smith, Ballarat Town Hall, Ballarat East Town Hall, Rowlands, Ballarat brewing Co., Royal Standard Brewery, steam train, Lake Wendouree, J.S. Vickery & Son, trout, Berry, Anderson & co., Ballarat Botanical Gardens and hot houses, Claxton Memorial Fountain, statues, New Imperial Gold Mine, Art Gallery of Ballarat, St Patrick's College, Ballarat Grammar School, Ballarat School of Mines, Ballarat College, Sunnyside Woollen Mills, Ballarat Agricultural High School, Passenger Steamer on Lake Wendouree, Moorabool Falls, Lal Lal Falls, Grosvenor Square, Netherby, Buninyong, Ballarat Motor Garage.ballarat, cuthberts, ballarat trustees, sturt street, tram, trams, ballarat town hall, crag's hotel, sun foundry, eureka aerated waters and brewing co, d. lem, chinese practioner, chinese herbalist, hugh v. mckay, sunshine harvester, gordon brothers, central business college, george hotel, edwards pyrites furnace, long's biscuits, ballarat eisteddfod, george farmer, ballarat botanical gardens, eureka stockade, lake wendouree, ballarat school of mines, moorabool falls, kirks reservoir, ballarat post office, hepburn lagoon, star of the east mine, emu river, ballarat observatory, statues, angus' rialto cafe, carlyon's hotel, clarendon ladies' college, j.e, sang, ballarat coffee palace, stansfield and smith, ballaray brewing company, phoenix brewery, rotal standard brewery, john macleod co, robert sim and co, cobb and co\eagle foundry, j.j. goller and co., mt buninyong lookout, ballarat town hall ballarat east gardens, hot house, glass house, statuary pavilion new imperial gold mining co.,, art gallery of ballarat, st patrick's college, ballarat agricultural high school, lake wendouree steamer, grass trees at mt clear, mount clear, lake burrumbeet, newlyn reservoir trout, lal lal falls, grosvenor square, netherby, ramelli's motor garage, buninyong gold obelisk, memorial, imperial gold mine, botanical gardens lily pond and fernery -
Ballarat Clarendon College
Framed photograph
Taken in garden of Clarendon Street property and includes students and teachersGray-scale photograph, with ornately-printed grey mount in thin black frameHandwritten on back: 1901 -
Federation University Historical Collection
Photograph - Black and White Photograph, Students in the Ballarat School of Mines Botanical Garden, c1897, 1897-1898
A number of names written on the back of the photograph match with names in the Ballarat School of Mines Annual Report 1897 and 1898. These are: Robert Allan; (Thomas E. or William T. ) Atherton; Percy Bailey, James A. Bass; Fred F. Bradford; William Brokenshire; Joseph Bryant; Cecil Eeles; Thomas Evans; William C. Gosman; John Hill; Edward P. Johnson; Duncan W. Kennedy; James Kidd; John W. Martin; Percy Osborne; J.A. Porter; Thomas Phillipson; Frank A. Steward; Robert G. Todd; Thomas A. Uthwatt A number of names are not matched: - Bollin, Curry, Morey, Mann. ThompsonBlack and white photograph mounted on grey card showing a number of students and instructors of the Ballarat School of mines. They are thought to be in the Ballarat School of Mines Materia Medica Garden (System Garden) for either a botany, chemistry or materia medica lesson, or as part of the Ballarat Field Naturalists group. The person at the front wearing an apron is George Porter Day.A number of names are written in ink on the back of the photo " Tom Evans, Osborne, Atherton, Phillipson, Eccles, Allan, Todd, Morey, Bradford, Curry, John Marian, Char Bailey, Uthwatt, John M. Sutherland, Kennedy, Mat Thompson, Hill, Steward, Martin, Kidd, Brokenshire, Gosman, Bollin, William D. Hill, "ballarat school of mines, science, material media, botanical gardens, system garden, ballarat school of mines botanical gardens, bollin, curry, morey, mann, thompson, james a. bass, fred f. bradford, william brokenshire, joseph bryant, cecil eeles, thomas evans, william gosman, john hill, edward johnson, duncan kennedy, james kidd, john martin, percy osborne, j.a. porter, thomas phillipson, frank steward, robert todd, thomas uthwatt, photography, foto, class, george day, george porter day, atherton, percy bailey, parks and gardens -
Flagstaff Hill Maritime Museum and Village
Functional object - Lead Ingot, circa 1878
This lead ingot was donated to Flagstaff Hill Maritime Village in January 2015 by local residents who discovered the ingot in their garden after they purchased the property about 12 months ago The LOCH ARD cargo manifest lists “Pig lead 50 tons” comprising “944 pig and 37 rolls”. Subsequent classification has rendered this section of cargo as “Lead Ballast”. This could be true. The international price per ton of lead ore plunged from a high point of £17 in 1853 to a low of £8 in 1882. The cheaper price of lead at the time of the vessel’s loading in early 1878 may have meant it was considered as an alternative to other ballast material (traditionally stone) for the journey to Melbourne. Loch Line ships generally returned to Britain laden with Australian wool. Even though wool bales were “screwed in” to the hold to less than half their “pressed weight”, they still made an awkwardly light cargo for the passage around the Horn. The concentrated weight of lead pigs along the keel line would help steady and centre the ship, and perhaps the artefacts in this case were to be retained for this purpose, rather than being sold on to the ready colonial market. However this is conjecture. Demand for building materials in the gold and wool rich Colony of Victoria was high in the 1870s, and much of the LOCH ARD cargo was intended for the Melbourne International Exhibition in 1880, which was another example of buoyant economic conditions. In the nineteenth century lead was valued for its density (high ratio of weight to volume), flexibility (relative softness for working into shape), and durability (corrosion resistant and waterproofing properties). It was used for pipes and water tanks, roof flashing and guttering, window sealing and internal plumbing. Many large private residences and new public buildings were at planning or construction stage in the colony during this period. The LOCH ARD lead ingots could equally have been destined for this ready market. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Lead ingots (sometimes referred to as ‘lead ballast’ or ‘lead pigs), salvaged from the wreck of the LOCH ARD. Grey metal bars with flat base, rising in a curved moulded shape to form a smooth rounded upper face. The imprint of the maker runs along the upper surface in clearly legible capital lettering (height 3cm). Durable and heavy, with some marine staining, but in good condition. Stamped along curved surface, within oval border, "PONTIFEX & WOOD LONDON."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lead pigs, lead ingots, lead ballast, pontifex and wood, london, lead smelters -
Werribee RSL Sub Branch
Termial - battery, World War Two
This battery treminal was removed from one of the Japanese Midget Submarines sunk in Sydney Harbour during the night attack on Sunday 31st May 1942 and sold publicly as a souvenir to raise money for the RAN relief funds for sailors. Metal plate - two round black metal lugs on top of a flat grey lead plate with four Japanese characters stamped on the base off the top of a battery from a Midget Submarine, with a cardboard souvenir card.Metal Plate - four Japanese characters. Cardboard tag - "A Guaranteed Souvenir / from the / Japanese Midget Submarine / Sunk in Sydney Harbour,/ Sunday May 31st, 1942" / sign by "Rear-Admiral in Charge, Sydney /July 30, 1942 Proceeds to RAN Relief Fund & King George's Fund for Sailors". Back of Tag - "27th November 1942 on show in the Gardens in Melbourne"souvenenir, japanese midget submarine -
The Beechworth Burke Museum
Animal specimen - Nankeen Night Heron, Trustees of the Australian Museum, 1860-1880
Nankeen Night Herons reside in Australia wherever there is permanent water. They can often be found in wetlands, shallow river margins, floodplains and parks and gardens. These birds spend the day time roosting in groups among dense foliage and emerge during the night. An adult Nankeen Night Heron is identified by the black cap on its head and a pale breast. This particular specimen has these signs which enable it to be identified as adult. The large eyes of the Nankeen Night Heron are a bright yellow colour which are adapted to night vision. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Night Heron has a stocky body and is standing tall on a wooden pedestal and looking towards the upper right. This adult specimen has yellow and black glass eyes and a long pale grey bill. Plumage on the head is black which turns a pale cinnamon on the nape of the neck. The wings are placed along the back of the body and are a light brown. The torso is a pale buff colour. This specimen has nuptial plums which look like they come out of the back of the birds head. These plums are long white feathers which appear during the breeding season.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen night heron, heron, nocturnal -
The Beechworth Burke Museum
Animal specimen - Nankeen Night Heron, Trustees of the Australian Museum, 1860-1880
Nankeen Night Herons reside in Australia wherever there is permanent water. They can often be found in wetlands, shallow river margins, floodplains and parks and gardens. These birds spend the day time roosting in groups among dense foliage and emerge during the night. An adult Nankeen Night Heron is identified by the black cap on its head and a pale breast. This particular specimen has these signs which enable it to be identified as adult. The large eyes of the Nankeen Night Heron are a bright yellow colour which are adapted to night vision. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Night Heron has a stocky body and is standing tall on a wooden pedestal and looking forward. This adult specimen has yellow and black glass eyes and a yellow and pale grey bill. Plumage on the head is black which turns a pale cinnamon on the nape of the neck. The wings are placed along the back of the body and are a light brown. The torso is a pale buff colour. This specimen has nuptial plums which look like they come out of the back of the birds head. These plums are long white feathers which appear during the breeding season.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen night heron, heron, nocturnal -
Emerald Museum & Nobelius Heritage Park
Book, Nell Jeffery, Emerald Garden Society Minutes, 1964
... Society Minutes Foolscap Book Grey with blue spine Garden Club ...This item started by Nell Jeffery who handwrote all of the notes and uses accurate botanical names. Minutes includes Treasurer's reports. Guest speakers and the general activities of the ClubThis item has historical, social and scientific significance Foolscap Book Grey with blue spineGarden Club Minute Book to 1964emerald garden club, 1960-1964, nell jeffery -
Emerald Museum & Nobelius Heritage Park
Emerald and District Garden Club List of members, Nell Jeffery, 1966
This item started by Nell Jeffery who handwrote all of the notes and uses accurate botanical names. Minutes includes Treasurer's reports. Guest speakers and the general activities of the Club This item has historical, social and scientific significanceFoolscap Book Grey with green spineemerald garden club 1966 list of members -
Emerald Museum & Nobelius Heritage Park
Minutes of Emerald Garden Society 1960 - 1964, Minute Book
... Garden Society 1960 - 1964 Minute Book Foolscap book Grey ...This item started by Nell Jeffery who handwrote all of the notes and uses accurate botanical names. Minutes includes Treasurer's reports. Guest speakers and the general activities of the Club This item has historical, social and scientific significance Foolscap book Grey with Blue spineGarden Club Minute Bookemerald garden club nell jeffery 1960-1964 -
Warrnambool and District Historical Society Inc.
Book - Children's book, For the love of nature: Warrnambool Botanic Gardens 2020, 2020
This children's book was produced to document the construction of the Nature Play Space in Warrnambool Botanic Gardens in 2020. It tells the story of what great community spirit, persistence and excellent teamwork can achieve; a nature play space for all to enjoy. The project was funded by the Victorian Government's 'Pick my Project' initiative and overseen by the Friends of Warrnambool Botanic Gardens in conjunction with the Botanic Gardens team and Warrnambool City Council.This book is significant as it documents the construction of the nature play space in Warrnambool Botanic Gardens. It is one of few locally produced children's books.Soft cover book with image of Warrnambool Botanic Gardens which wraps around to the back cover. The image shows the lake with children feeding ducks and trees in autumn colours.The title text is black and sub-title and author's name in grey.children's literature, garden construction, children's playgrounds -
Grey Street Primary School, Traralgon
Photoboard
Garden at the Burnet family home in Traralgon?Garden -
RMIT Design Archives
Work on paper - Architectural drawings, Colour plan of Lum road estate, 1970-1986
This plan of Lum Road Estate includes layout of roads, gardens, building and carparks. From 1970 until August 1971 Robin Boyd and his practice Romberg & Boyd Architects worked on designs for housing on the Lum Road Estate, Wheelers Hill. Berenice Harris, Linley Vellacott and Karl Fender drew many of the sketch plans for the project homes, while Robin Boyd drew the perspectives. This colour plan of the estate was drawn by Robin Boyd, but not signed. Frederick Romberg later annotated the drawing with details of its authorship. Colour plan of Lum road estate. Includes layout of roads, gardens, buildings and flora.Inscribed lower right on recto in black ink, 'Robin Boyd original / 12/6/86 F.R' ; Inscriber upper left on recto, grey pencil, '3400'.architecture, design, rmit design archives, domestic architecture -
RMIT Design Archives
Work on paper - Architectural drawings, Aboriginal Keeping Place, Shepparton International Village
Site plan drawing of the Shepparton Aboriginal Arts Council building, now known as the Bangerang Cultural Centre. The building is located in the Parkside Gardens, formerly the Shepparton International Village, and is the first Aboriginal cultural museum developed and managed by the Aboriginal community. The building is part of the Victorian Heritage Register. Romberg designed the building in conjunction with project instigator and Bangerang Elder, John Sandy Atkinson, OAM. At the request of Romberg, Atkinson created some concept sketches for the building from which Romberg designed the finished structure.Site PlanInitialed in grey pencil, bottom right: 'F.R'architecture, museum -
Buda Historic Home & Garden Castlemaine
Drawing - Illustration - Design for Jewellery, Ernest Leviny - Britannia pendant jewellery design, c1851
Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851 -
Benalla Art Gallery
Painting, J. A. (James Alfred) TURNER, Homewards, 1889
Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art -
Benalla Art Gallery
Painting, Walter WITHERS, Sheep in shadows, 1910
Born: Birmingham, England 1854; Arrived Australia 1882; Died: 1914Heidelberg SchoolLedger Gift, 1980Rural landscape with grazing sheep and trees. Gold brushed grey painted timber frame. Recto: Signed "Walter Withers" in brown paint l.r.c of composition; Dated: "~ 10 ~" in brown paint; Not titledlandscape, animals, trees, sheep, australian art -
Benalla Art Gallery
Print, Ethel SPOWERS, Swings, 1932
Born: Melbourne, Victoria, Australia 1890; Died: 1947ModernismBennett Bequest, 2000 Figures depicting children on swings. Gold painted wooden frame.Recto: Signed and dated "E.L.Spowers - 1932" in grey ink l.r.c of composition; Titled "Swings - 21/50" in grey ink l.l.c.print, japanese tissue paper, children, playing, swings, linocut, australian art -
Benalla Art Gallery
Painting, Elioth GRUNER, Summer shade, c. 1916
Born: Gisborne, New Zealand 1882; Arrived: Sydney, New South Wales, Australia 1883; Died: Sydney, New South Wales, Australia 1939Heidelberg SchoolGift of Mrs E.E. Ledger, 1975Rural farm landscape with wagon, animals and building. Gold patterned moulding with grey velvet insert frame.Recto: Signed "E. GRUNER" in black paint in l.r.c of composition; Not dated; Not titledpainting, rural, wagon, chicken, animals, wheel, fence, trees, farm, australian art -
Benalla Art Gallery
Painting, David DAVIES, Port of Melbourne, Not dated
Born: Ballarat, Victoria, Australia 1864; Lived and worked: France and England 1890-1893, England, Wales, France 1897-1939; Died: Looe, Cornwall, England 1939VictorianGift of Mrs E.E. Ledger, 1976Harbour scene with large ships, smoke, a wharf, water and a grey sky. Gold brushed timber frame.Recto: Signed "Davies" in brown oil in l.r.c of composition; Not dated; Not tiltedpainting, seascape, ships, boats, smoke, industrial, dock -
Benalla Art Gallery
Painting, Rupert BUNNY, Near Towong, 1927
Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884-1933; Died: Melbourne, Victoria, Australia 1947ModernismLedger Gift, 1977Open rural landscape with large bare hill, building, trees and fences under a grey sky. Gold brushed timber frame.Recto: Signed "RB" in square in black oil in l.r.c of composition; Not dated; Not titledpainting, landscape, hills, house, trees, clouds -
Benalla Art Gallery
Painting, Arthur STREETON, Port of Melbourne, 1883
Born: Mount Duneed, Victoria, Australia 1867; Lived and worked: England 1897-1919; Died: Olinda, Victoria, Australia 1943Heidelberg SchoolLedger Gift, 1977Harbour scene with large ships, buildings, water and a grey sky. Timber frame.Recto: Signed "A Streeton" in dark grey oil in l.l.c of composition; Date obscured by framing; Not titledpainting, seascape, maritime, ships, dock, clouds, sky, industrial